“The Most Golden Bulgari” is the first section of
Felice Picano’s “memoir in the form of a novel” Men Who Loved me (1989). The
book is itself the second installment of an autobiographical trilogy.
Felice Picano was a member of the Violet Quill, a
group of writers who met to discuss gay writing, back in the 1980-1. Members included Edmund White and Andrew
Holleran.
I’m currently reading Men Who Loved Me for the second time. I find the writing entertaining but a bit on
the “light” side. I’m more naturally
drawn to the style of White and Holleran, who seem more introspective and
thoughtful. Their writing seems more
sensuous somehow—although Picano can certainly turn a clever phrase.
Picano had earned a literary college degree, then
found himself employed in New York City as a social worker. This was the 1960s. He saw plenty of “life” in a certain
sense—the life of the troubled and the poor in the area around the Spanish
Harlem in Manhattan. Faced with the
prospect of a promotion and a successful “career” in social work, he decides
instead to go to Europe and actually live—and
look for love. And to “become
homosexual.” What he actually means by
this phrase is not clear. He had dated
women, but the relationships had gone nowhere; they weren’t even relationships,
really; just casual dating. He’d then
tried men—but that hadn’t gone anywhere either.
Arriving in Rome, he almost immediately encounters a
group of expatriate American actors and actresses; through them he meets…his
first long-term lover, a Yugoslavian film director named Djanko. “The Most Golden Bulgari” follows the
semi-comic exploits of these people. It’s
a bit confusing keeping the three women straight in my mind—which one is from
Boston, which from the Mid-West, etc.
The young actor is more memorable, since more unique: He speaks a rural slang and comes across as
rather inane; but he possesses marvelous musculature and is therefore ideal to
play characters like Hercules in sand-and-sandal epics.
Picano and Djanko fall in love “at first sight.” Whether it is love or lust is difficult to
tell. It’s clear Picano cares about him;
he remains with him a year, after all.
How Djanko feels in return is less certain—he’s always working or worrying
about his current and future film projects.
What Djanko does do, though, is shower Picano with presents, including a
golden Bulgari watch. Even though he is
filming what seem to be second- or third-rate movies, he’s presented as being
fabulously rich; Picano never lacks for adornment. Perhaps because he’s grown up in Communist
Yugoslavia, Djanko is obsessed with gold and insists on presenting Picano with
gold watches, gold cigarette cases, gold cuff links… When Picano can’t decide which color shirt he
prefers, Djanko simply buys him one of each color so that he’ll have the color
his prefers whenever he finally gets around to choosing.
(To be continued)
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