I’ve been reading a lot of Jack Kerouac again. For one thing I stumbled, a year or more
back, on an audio book of On The Road. Now it seems there are actually three audio books of that novel, plus an
audio book of the “original scroll,” the version that Kerouac famously typed
onto a single long roll of teletype paper, with no divisions into chapters or
even paragraphs, using the real names
of everyone who had inspired the novel.
I’ve now listened to all four of those audio books,
several times each. They each have their
own personalities in part, of course, because of the different personalities of
the readers.
One reason I’ve been so interested in these audio
books is because On The Road has
finally been made into a film, which premiered at the Cannes Film Festival
earlier this year and was then released in much of the world—but not yet in the
United States. It is scheduled for
release on December 21st “in selected theaters” (is this why some
people believe the world is ending?)
Hopefully “selected theaters” includes at least one theater in San
Francisco—and hopefully one in the San Jose area. I don’t really want to have to fly to Los
Angeles or even further to see it. Of
course, I could simply wait… But what
would Dean Moriarty do??
Meanwhile, several women who knew Kerouac have
written memoirs—I haven’t read any of them yet.
How wide should I let my Kerouac obsession roam?
New films and books inspired by Kerouac say something
about a writer who many people had written off by around 1962. Kerouac is enjoying a renaissance, including
publication of several early works—novels that turn out to be more interesting
and well-written than I’d anticipated.
And
The Hippos Were Boiled In Their Tanks, co-written with
William Burroughs, is now available not only in print but as an audio book
itself. That’s pretty good for a novel
written in the early 1940s, unpublished for over sixty years, and dismissed by
one of its own co-authors (William Burroughs) as a “not very distinguished
work.”
I was expecting it to be “not very distinguished,” found
myself surprised at the quality of the writing, and listened to the audio book
twice. Very enjoyable. I was only a little disappointed at the
abruptness of the ending.
Kerouac’s very first completed novel, The Sea Is My Brother has now also been
published. Written only a year or two
before Hippos, it is not nearly as
well written; but it is enjoyable and interesting enough that I have started
reading it for the second time, almost immediately after my initial read. Certain stylistic points annoy me, and, like Hippos, it ends rather abruptly; but enjoyable
all the same.
I originally intended to review them
immediately. I did have initial gut
reactions. “Stylistic patterns in The Sea Is My Brother annoy me.” “The
Sea is My Brother simply stops; it doesn’t really end.” But I’m reevaluating
my initial reactions. It’s true: If it hadn’t been Kerouac, or Kerouac and
Burroughs, I wouldn’t have read them.
But these guys had something that continues to appeal to me.
Hang on for those reviews (I’ve also just read Naked Lunch)—and watch for that U.S.
opening of On The Road, the film. Only eighteen more days.
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